houseplan-card/docs/SUN.md

Sun on the plan — the spec (source of truth)

Status: approved by the owner 2026-08-03. Shipped in v1.56.0. Scope decisions final: the compass lives in the GENERAL settings with a per-space override, the feature is silent until north_deg is set anywhere, wedges ship for the FULL card only in v1, and mutual shading of the building's wings is explicitly NOT computed.

Principle

The plan learns where north is, and from that single number plus HA's own sun.sun the card knows where the sun stands relative to every wall. Two visuals follow: the stage background can breathe with the day (day → golden hour → dusk → night), and windows on exterior walls cast soft wedges of light into their rooms. Everything is display only — no entities are created, no services are called.

Data

• Source: the sun.sun entity (attributes.azimuth 0–360, 0 = north, clockwise; attributes.elevation in degrees, negative below the horizon). No sun.sun in the install → the whole feature stays silent and the settings dialog says why.
• Sun attributes update rarely (~30–120 s). Sun geometry is recomputed ONLY when (azimuth, elevation) or the config change — never on every hass tick. The wedge layer memoises on (azimuth, elevation, config rev, space id, weather state).
• Angle on the plan: plan_angle = azimuth − north_deg (normalised to 0–360). With north_deg = 0 the top of the canvas is north; the direction TOWARD the sun on the canvas is (sin(plan_angle), −cos(plan_angle)) (y grows downward).

Compass — settings.north_deg

• Integer 0–359, degrees clockwise from "up on the canvas" to true north. Lives in the GENERAL settings (⚙) as a circular dial: drag the «N» arrow around the ring, 1° steps, 15° with Shift held; a plain number input sits next to it for accessibility and precision.
• Per-space override in the space settings (empty = inherit), the same pattern as show_lqi / fill_mode.
• While north_deg is null at BOTH levels the whole sun feature is inert: static background, no wedges, nothing computed. The settings dialogs show a hint.
• Backend validation: integer in 0–359 at both levels.

Plan background — settings.bg_mode: 'static' | 'daynight'

• Global default in the general settings, per-space override (null = inherit). Default 'static'.
• 'static' — the existing bg_color behaviour, color picker and all. Nothing changes for existing installs.
• 'daynight' — the stage background follows the sun's elevation: WHITE at full day (the brightest moment of the day is white — owner, 2026-08-03), a warm bright shift in the golden hour (elevation below ~10°), cooling through dusk, deep darkening at night. The scale (piecewise-linear between stops, BG_STOPS in src/sun.ts):

  elevation	color	phase
  −90°…−12°	#070c14	deep night
  −4°	#131a28	dusk cools down
  0°	#4a3527	warm band right at the horizon
  +10°	#e8ddcf	morning light — warm and bright
  +30°…+90°	#ffffff	plain day, white
  The PLAN
  itself dims only ~10% at night (filter: brightness(.9)), so the
  daytime room fills stay readable. Transitions are a CSS
  background/filter transition tens of seconds long;
  prefers-reduced-motion gets the current colors statically.

• Glide, but never lag behind reality (owner 2026-08-04: «цвет фона не меняется сам с течением времени суток, только после обновления страницы»). The sky colour and the plan dimming are delivered by a 45 s CSS transition, and a CSS transition only advances while the card is being PAINTED. A card that was not painting — a background tab, another dashboard view, a sleeping wall tablet, an editor session — comes back holding a stale sky and then crawls toward the truth 45 s at a time; a page reload, by contrast, paints the right colour outright, because a freshly mounted element has nothing to transition FROM. So the card measures the gap: HA refreshes sun.sun every ~4 minutes by day, i.e. ≤1° per update, and anything from SKY_SNAP_DEG = 3° up therefore means "we were not watching". Such a step is applied with transition: none for a single frame (.stage.daynight.skysnap, released on the next requestAnimationFrame); everything smaller keeps the 45 s breathing. visibilitychange → visible arms the catch-up outright.
• The elevation the sky is computed from is rounded to 0.1° (skyElevation()) — finer than the eye can tell across a 45 s glide, and it keeps dayPhase (and the style attribute lit has to commit) from churning on every hass tick. The wedge GEOMETRY keeps its own, coarser memo: the two have deliberately different granularity — the sky is cheap, the polygon clipping is not.
• The UI is a two-option selector; the color picker shows only for 'static'.
• Backend validation: In(['static', 'daynight']) at both levels.
• 'daynight' follows the general gate: without north_deg (or without sun.sun) it behaves as 'static'.
• The scene background never bleeds through the plan (owner, 2026-08-03). In BOTH modes the background — bg_color or the daynight sky — is visible only AROUND the plan: opaque .hp-paper shapes sit under everything the plan draws. An image plan papers the backdrop image rect (the canvas IS the paper); a hand-drawn plan papers the ROOM CONTOURS — one shape per room in exactly the room's own geometry (fill only, no stroke), never their bounding box, so the background reaches the exterior walls of an L-shaped house and fills the gaps between detached buildings (an empty drawn space has no paper). Open (virtual) boundaries do not affect the paper; a live resize preview moves it together with the rooms. Its colour is the pre-bg_color canvas — white for hand-drawn plans, the theme card background under an image. The night dimming above is the brightness filter on the zoomwrap ONLY; the paper's alpha never changes. Applies to view/kiosk/editors and the static space-card alike (smoke_bg_color).

Window light wedges — settings.sun_rays

Boolean, global + per-space (null = inherit), default OFF.

For every opening of type «window» sitting on an EXTERIOR wall — a wall stretch with no other room on its outer side, decided by probing the existing room geometry just off both sides of the window; windows on interior walls do not participate, and open (virtual) boundaries never qualify because both sides are rooms — the card draws a wedge when BOTH hold:

• the sun is above the horizon (elevation > 0), and
• the dot product of the wall's outward normal with the direction toward the sun is positive (the sun actually faces this window).

The wedge is a quadrilateral cast from the window's span along the direction AWAY from the sun (light falls inward), clipped by the room's polygon (polyclip intersection, the same dependency src/resize.ts already uses). Its length is k(elevation) in window lengths: ~1.75 at sunrise/sunset tapering to ~0.56 at the zenith (0.56 + 1.19·(1 − elevation/90)^1.6 — the v1.56 curve 0.8 + 1.7·(1 − elevation/90)^1.6 times RAY_LENGTH_K = 0.7, owner 2026-08-04: «лучи от солнца сделать короче на 30%»; scaling the whole curve keeps the "a low sun reaches much further" shape intact). The color is warm orange while elevation < 10° and neutral by day; peak opacity is RAY_MAX_ALPHA = 0.30 (owner 2026-08-03: «лучи поярче, иногда плохо видны» — raised from 0.18; two overlapping wedges still stay under a readable ceiling on white paper and on the dark glow canvas alike).

Dissolving — never a kerb (owner 2026-08-04)

«Проверить, чтобы они всегда плавно рассеивались (сейчас есть ощущение, что они упираются во что-то невидимое)». A wedge is a polygon, and until v1.56 nothing hid that:

• the gradient's iso-alpha lines run PERPENDICULAR to the sun, while the wedge's far edge is parallel to the WALL. For any sun that does not hit the glass head-on the two are not the same line, so half of that far edge was cut while it still carried colour — a straight bright kerb hanging in the middle of the floor;
• the wedge's two SIDES had no falloff at all — two razor lines running from the window into the room;
• where the room outline clips the wedge (the opposite wall, the inner corner of an L, and above all an OPEN boundary, which has no wall drawn at all) the shaft was chopped at whatever alpha it still had.

The contract now:

• the gradient still spans the FULL wedge length (x1,y1 at the glass, x2,y2 exactly len away), so geometry and gradient always describe the same shaft — but its stops (rayStops()) ease out to zero at RAY_FADE_END = 85 % of that length: 1 → .86 → .60 → .32 → .10 → 0. The last 15 % of every wedge is guaranteed empty, so a shaft that ends in mid-air has nothing left to draw an edge with;
• each wedge is drawn inside <g filter="…" clip-path="…">. SVG applies the filter FIRST and the clip SECOND, so a small Gaussian blur (raySoftness(len) = 7 % of the length, clamped to 3…18 render units) feathers the sides and the tip, and the room outline then cuts the feather off — light still never crosses a wall, but where the shaft does reach one the kerb is a soft ramp that reads as light landing ON the wall instead of a cut-out shape.

Clipping by the room stays exactly as before; only its visible edge changed.

The 3° threshold and the 2-second fade

Wedge opacity does NOT depend on elevation any more — the old ramp-in over the first ~2° is gone. The contract (owner 2026-08-03) is a hard threshold:

• elevation < 3° → NO rays at all;
• elevation ≥ 3° → rays at full strength (rayPeakAlpha, cloud cover being the only multiplier).

Crossing the threshold is animated, but on the LAYER, never on the geometry: the <g class="sunlayer"> fades in with hp-sunfade-in and out with hp-sunfade-out, both exactly 2 s (RAY_FADE_MS in src/sun.ts must stay in sync with styles.ts). To let the fade-out play at all, the card keeps the layer mounted with .out for those two seconds and only then drops it. prefers-reduced-motion: reduce skips the animation entirely — the rays are simply there or simply gone.

Everything else that removes wedges — leaving view mode, switching the feature off, night (elevation ≤ 0), rain — is instant: those are not threshold crossings, and a wedge lingering while you enter the editor would just be a bug.

Layer order: ABOVE room fills (and the glow layer), BELOW devices and labels (those live in the HTML devlayer anyway). Night (elevation ≤ 0) → no wedges. Wedges work under BOTH bg_modes.

Cloud cover — settings.weather_entity (optional)

String entity id or null; GLOBAL settings only. When set and the entity's state reads overcast, the wedges fade by an opacity multiplier — ~0.25 fully overcast, 0 (gone) in rain/snow:

states	factor
clear, sunny, clear-night, windy, exceptional, unset entity	1.0
partlycloudy, windy-variant	0.7
cloudy	0.4
overcast, fog	0.25
rainy, pouring, snowy, snowy-rainy, hail, lightning, lightning-rainy	0.0
unknown, unavailable	1.0 (a dead sensor must not kill the sun)

Backend validation: string or null.

Edge cases and limits

• No sun.sun → silent feature + a hint in the settings dialog.
• north_deg unset everywhere → silent feature + a hint.
• prefers-reduced-motion → no transitions; colors and wedges render statically for the current sun position.
• Kiosk mode → works (same view path).
• Static houseplan-space-card → the background honours the effective bg_mode/color; wedges are v1 FULL-CARD ONLY (documented limit).
• Editors (plan/devices/decor) → no wedges and no day/night: the editor canvases render exactly as before.
• Mutual shading of the building's own wings (an L-shaped house shadowing its inner corner) is NOT computed — a lit window casts its wedge even when another wing geometrically blocks the sun. Accepted v1 limit.
• Wedges of windows on all four wall orientations are unit-tested, including the 359→0 azimuth wrap.

Files

• src/sun.ts — pure logic (angles, day phase, exterior walls, wedge quads + clipping, cloud factor, settings inheritance); unit-tested in test/sun.test.mjs.
• src/houseplan-card.ts — the memoised wedge layer, the day/night stage background, both settings dialogs (compass dial included).
• src/space-render.ts — the static card's background only.
• custom_components/houseplan/validation.py — the four settings at both levels; tests in tests_backend/test_validation.py.
• demo/smoke_sun.mjs — end-to-end behaviour against the demo rig.
• demo/smoke_sun_soft.mjs — the −30 % reach and the "always dissolves" contract (the gradient spans the wedge and dies at 85 %, the feather filter, the room clip).
• demo/smoke_sun_live_bg.mjs — the sky follows sun.sun on a plain hass tick with no reload, asserted on the COMPUTED background of the stage; small steps still glide, big ones catch up at once.
• demo/shot_sun_short.mjs — before/after stills at a low and a high sun.