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houseplan-card/docs/SUN.md
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Matysh eb17396006 Sunlight has hard sides again and fades only along the ray
Owner, 2026-08-04, on yesterday's attempt: «с лучами солнца ты сделал фигню —
не надо размывать их боковые грани».

They are right. 22b588e answered "the shafts run into something invisible" with
a Gaussian blur of the WHOLE wedge (`raySoftness`, filter `hp-sunsoft`), which
feathered the sides as well as the tip. A shaft of light through a window has
crisp sides; only its reach fades. The blur turned every wedge into a smudge.

GONE. `raySoftness()`, the `<filter>`/`feGaussianBlur` in <defs>, the `<g
filter clip-path>` wrapper, and with it the `hp-sunclip` clipPath — that clip
existed only so the blur could not bleed through a wall. The polygons come out
of `computeSunRays()` already intersected with the room, so a wall still stops
the light by geometry (demo/smoke_sun.mjs, wedgeClippedToRoom). The sun layer
is plain `<polygon fill="url(#hp-sun-i)">` again.

THE KERB DID NOT COME BACK, and not by luck. The old bright edge floating in
mid-floor was never about softness: the gradient's iso-alpha lines are square
to the SUN, while a parallelogram's far edge is parallel to the WALL. Head-on
they coincide; at any other angle one far corner sits at offset `1 − 0.5/k` —
0.71 of the way at a low sun, 0.11 at a high one — i.e. still lit when the
polygon ends. So `rayQuad()` no longer builds a parallelogram: each side is
extruded until it reaches the same distance `len` ALONG `dir`, which puts the
far edge on one iso-alpha line of the gradient. Combined with the untouched
`RAY_FADE_END` = 85 %, the last 15 % of every wedge is empty and its outline
has nothing left to draw. The sides stay razor-sharp on purpose.

Length (×0.7) and the live sky catch-up are untouched.

Tests: unit — `rayQuad` at six sun angles (sides exactly parallel to the ray,
both far corners at offset 1, far edge ⊥ ray, nothing past the gradient) plus
the head-on parallelogram pinned; the `raySoftness` test is gone with the
function. Smoke — demo/smoke_sun_soft.mjs keeps the reach and the "dead at
85 %" checks and flips the feather assert into its opposite: no filter on any
wedge, no `feGaussianBlur` in the tree, and at an OBLIQUE sun (230°/8° and
225°/55°) no vertex is drawn past the end of the gradient. Verified to fail on
the previous bundle on exactly those four. All 247 unit tests and all 97 smokes
green. Stills: sun_sharp_low / sun_sharp_high (demo/shot_sun_short.mjs now
takes a file prefix).
2026-08-04 10:30:22 +03:00

14 KiB
Raw Blame History

Sun on the plan — the spec (source of truth)

Status: approved by the owner 2026-08-03. Shipped in v1.56.0. Scope decisions final: the compass lives in the GENERAL settings with a per-space override, the feature is silent until north_deg is set anywhere, wedges ship for the FULL card only in v1, and mutual shading of the building's wings is explicitly NOT computed.

Principle

The plan learns where north is, and from that single number plus HA's own sun.sun the card knows where the sun stands relative to every wall. Two visuals follow: the stage background can breathe with the day (day → golden hour → dusk → night), and windows on exterior walls cast soft wedges of light into their rooms. Everything is display only — no entities are created, no services are called.

Data

  • Source: the sun.sun entity (attributes.azimuth 0–360, 0 = north, clockwise; attributes.elevation in degrees, negative below the horizon). No sun.sun in the install → the whole feature stays silent and the settings dialog says why.
  • Sun attributes update rarely (~30–120 s). Sun geometry is recomputed ONLY when (azimuth, elevation) or the config change — never on every hass tick. The wedge layer memoises on (azimuth, elevation, config rev, space id, weather state).
  • Angle on the plan: plan_angle = azimuth − north_deg (normalised to 0–360). With north_deg = 0 the top of the canvas is north; the direction TOWARD the sun on the canvas is (sin(plan_angle), −cos(plan_angle)) (y grows downward).

Compass — settings.north_deg

  • Integer 0–359, degrees clockwise from "up on the canvas" to true north. Lives in the GENERAL settings (⚙) as a circular dial: drag the «N» arrow around the ring, 1° steps, 15° with Shift held; a plain number input sits next to it for accessibility and precision.
  • Per-space override in the space settings (empty = inherit), the same pattern as show_lqi / fill_mode.
  • While north_deg is null at BOTH levels the whole sun feature is inert: static background, no wedges, nothing computed. The settings dialogs show a hint.
  • Backend validation: integer in 0–359 at both levels.

Plan background — settings.bg_mode: 'static' | 'daynight'

  • Global default in the general settings, per-space override (null = inherit). Default 'static'.
  • 'static' — the existing bg_color behaviour, color picker and all. Nothing changes for existing installs.
  • 'daynight' — the stage background follows the sun's elevation: WHITE at full day (the brightest moment of the day is white — owner, 2026-08-03), a warm bright shift in the golden hour (elevation below ~10°), cooling through dusk, deep darkening at night. The scale (piecewise-linear between stops, BG_STOPS in src/sun.ts):
    elevation color phase
    −90°…−12° #070c14 deep night
    −4° #131a28 dusk cools down
    0° #4a3527 warm band right at the horizon
    +10° #e8ddcf morning light — warm and bright
    +30°…+90° #ffffff plain day, white
    The PLAN
    itself dims only ~10% at night (filter: brightness(.9)), so the
    daytime room fills stay readable. Transitions are a CSS
    background/filter transition tens of seconds long;
    prefers-reduced-motion gets the current colors statically.
  • Glide, but never lag behind reality (owner 2026-08-04: «цвет фона не меняется сам с течением времени суток, только после обновления страницы»). The sky colour and the plan dimming are delivered by a 45 s CSS transition, and a CSS transition only advances while the card is being PAINTED. A card that was not painting — a background tab, another dashboard view, a sleeping wall tablet, an editor session — comes back holding a stale sky and then crawls toward the truth 45 s at a time; a page reload, by contrast, paints the right colour outright, because a freshly mounted element has nothing to transition FROM. So the card measures the gap: HA refreshes sun.sun every ~4 minutes by day, i.e. ≤1° per update, and anything from SKY_SNAP_DEG = 3° up therefore means "we were not watching". Such a step is applied with transition: none for a single frame (.stage.daynight.skysnap, released on the next requestAnimationFrame); everything smaller keeps the 45 s breathing. visibilitychange → visible arms the catch-up outright.
  • The elevation the sky is computed from is rounded to 0.1° (skyElevation()) — finer than the eye can tell across a 45 s glide, and it keeps dayPhase (and the style attribute lit has to commit) from churning on every hass tick. The wedge GEOMETRY keeps its own, coarser memo: the two have deliberately different granularity — the sky is cheap, the polygon clipping is not.
  • The UI is a two-option selector; the color picker shows only for 'static'.
  • Backend validation: In(['static', 'daynight']) at both levels.
  • 'daynight' follows the general gate: without north_deg (or without sun.sun) it behaves as 'static'.
  • The scene background never bleeds through the plan (owner, 2026-08-03). In BOTH modes the background — bg_color or the daynight sky — is visible only AROUND the plan: opaque .hp-paper shapes sit under everything the plan draws. An image plan papers the backdrop image rect (the canvas IS the paper); a hand-drawn plan papers the ROOM CONTOURS — one shape per room in exactly the room's own geometry (fill only, no stroke), never their bounding box, so the background reaches the exterior walls of an L-shaped house and fills the gaps between detached buildings (an empty drawn space has no paper). Open (virtual) boundaries do not affect the paper; a live resize preview moves it together with the rooms. Its colour is the pre-bg_color canvas — white for hand-drawn plans, the theme card background under an image. The night dimming above is the brightness filter on the zoomwrap ONLY; the paper's alpha never changes. Applies to view/kiosk/editors and the static space-card alike (smoke_bg_color).

Window light wedges — settings.sun_rays

Boolean, global + per-space (null = inherit), default OFF.

For every opening of type «window» sitting on an EXTERIOR wall — a wall stretch with no other room on its outer side, decided by probing the existing room geometry just off both sides of the window; windows on interior walls do not participate, and open (virtual) boundaries never qualify because both sides are rooms — the card draws a wedge when BOTH hold:

  • the sun is above the horizon (elevation > 0), and
  • the dot product of the wall's outward normal with the direction toward the sun is positive (the sun actually faces this window).

The wedge is a quadrilateral cast from the window's span along the direction AWAY from the sun (light falls inward) and cut off PERPENDICULAR to the ray (see «Dissolving» below), clipped by the room's polygon (polyclip intersection, the same dependency src/resize.ts already uses). Its length is k(elevation) in window lengths: ~1.75 at sunrise/sunset tapering to ~0.56 at the zenith (0.56 + 1.19·(1 − elevation/90)^1.6 — the v1.56 curve 0.8 + 1.7·(1 − elevation/90)^1.6 times RAY_LENGTH_K = 0.7, owner 2026-08-04: «лучи от солнца сделать короче на 30%»; scaling the whole curve keeps the "a low sun reaches much further" shape intact). The color is warm orange while elevation < 10° and neutral by day; peak opacity is RAY_MAX_ALPHA = 0.30 (owner 2026-08-03: «лучи поярче, иногда плохо видны» — raised from 0.18; two overlapping wedges still stay under a readable ceiling on white paper and on the dark glow canvas alike).

Dissolving — along the ray only (owner 2026-08-04)

Two rounds with the owner on the same day:

  1. «Проверить, чтобы они всегда плавно рассеивались (сейчас есть ощущение, что они упираются во что-то невидимое)» — the wedge was ending on a visible line;
  2. «С лучами солнца ты сделал фигню — не надо размывать их боковые грани» — the first answer to (1) was a Gaussian blur over the whole wedge, which feathered the SIDES too. Wrong: a shaft of sunlight through a window has crisp sides. Only its reach fades.

So the falloff is one-dimensional: along the ray, from the glass inward, and nothing else. The contract:

  • the gradient spans the FULL wedge length (x1,y1 at the glass, x2,y2 exactly len away), so geometry and gradient always describe the same shaft — but its stops (rayStops()) ease out to zero at RAY_FADE_END = 85 % of that length: 1 → .86 → .60 → .32 → .10 → 0. The last 15 % of every wedge is guaranteed empty, so a shaft that ends in mid-air has nothing left to draw an edge with;
  • rayQuad() therefore ends the wedge ON an iso-alpha line of that gradient: both sides are extruded until they reach the same distance len ALONG dir, so the far edge is perpendicular to the RAY, not parallel to the wall. This is what killed the old bright kerb. A parallelogram (equal extrusion of both ends) has its far edge parallel to the WALL, while the gradient's iso-alpha lines are square to the sun; for any sun that does not face the glass head-on the two disagree and one far corner sits at offset 1 − 0.5/k — still lit (~0.71 at a low sun, ~0.11 at a high one). That corner was the straight bright kerb hanging in mid-floor;
  • the two SIDES carry no falloff at all, on purpose. They are hard lines, because that is what light through a window looks like. There is no filter, no feGaussianBlur, no clip-path anywhere in the sun layer — the polygons arrive from computeSunRays() already intersected with the room, so a wall stops the light by geometry;
  • where the room outline does cut a still-lit shaft (the opposite wall, the inner corner of an L, an OPEN boundary) the edge stays crisp: that is light landing on a wall, and blurring it was the mistake.

Clipping by the room is unchanged; only the visible edge changed.

The 3° threshold and the 2-second fade

Wedge opacity does NOT depend on elevation any more — the old ramp-in over the first ~2° is gone. The contract (owner 2026-08-03) is a hard threshold:

  • elevation < 3° → NO rays at all;
  • elevation ≥ 3° → rays at full strength (rayPeakAlpha, cloud cover being the only multiplier).

Crossing the threshold is animated, but on the LAYER, never on the geometry: the <g class="sunlayer"> fades in with hp-sunfade-in and out with hp-sunfade-out, both exactly 2 s (RAY_FADE_MS in src/sun.ts must stay in sync with styles.ts). To let the fade-out play at all, the card keeps the layer mounted with .out for those two seconds and only then drops it. prefers-reduced-motion: reduce skips the animation entirely — the rays are simply there or simply gone.

Everything else that removes wedges — leaving view mode, switching the feature off, night (elevation ≤ 0), rain — is instant: those are not threshold crossings, and a wedge lingering while you enter the editor would just be a bug.

Layer order: ABOVE room fills (and the glow layer), BELOW devices and labels (those live in the HTML devlayer anyway). Night (elevation ≤ 0) → no wedges. Wedges work under BOTH bg_modes.

Cloud cover — settings.weather_entity (optional)

String entity id or null; GLOBAL settings only. When set and the entity's state reads overcast, the wedges fade by an opacity multiplier — ~0.25 fully overcast, 0 (gone) in rain/snow:

states factor
clear, sunny, clear-night, windy, exceptional, unset entity 1.0
partlycloudy, windy-variant 0.7
cloudy 0.4
overcast, fog 0.25
rainy, pouring, snowy, snowy-rainy, hail, lightning, lightning-rainy 0.0
unknown, unavailable 1.0 (a dead sensor must not kill the sun)

Backend validation: string or null.

Edge cases and limits

  • No sun.sun → silent feature + a hint in the settings dialog.
  • north_deg unset everywhere → silent feature + a hint.
  • prefers-reduced-motion → no transitions; colors and wedges render statically for the current sun position.
  • Kiosk mode → works (same view path).
  • Static houseplan-space-card → the background honours the effective bg_mode/color; wedges are v1 FULL-CARD ONLY (documented limit).
  • Editors (plan/devices/decor) → no wedges and no day/night: the editor canvases render exactly as before.
  • Mutual shading of the building's own wings (an L-shaped house shadowing its inner corner) is NOT computed — a lit window casts its wedge even when another wing geometrically blocks the sun. Accepted v1 limit.
  • Wedges of windows on all four wall orientations are unit-tested, including the 359→0 azimuth wrap.

Files

  • src/sun.ts — pure logic (angles, day phase, exterior walls, wedge quads + clipping, cloud factor, settings inheritance); unit-tested in test/sun.test.mjs.
  • src/houseplan-card.ts — the memoised wedge layer, the day/night stage background, both settings dialogs (compass dial included).
  • src/space-render.ts — the static card's background only.
  • custom_components/houseplan/validation.py — the four settings at both levels; tests in tests_backend/test_validation.py.
  • demo/smoke_sun.mjs — end-to-end behaviour against the demo rig.
  • demo/smoke_sun_soft.mjs — the −30 % reach and the "dissolves along the ray only" contract: the gradient spans the wedge and dies at 85 %, the sides are sharp (no filter on the wedge, no feGaussianBlur at all), and at an oblique sun nothing is drawn past the end of the gradient — the kerb cannot come back.
  • demo/smoke_sun_live_bg.mjs — the sky follows sun.sun on a plain hass tick with no reload, asserted on the COMPUTED background of the stage; small steps still glide, big ones catch up at once.
  • demo/shot_sun_short.mjs — stills at a low and a high sun (node demo/shot_sun_short.mjs <outdir> <prefix>).